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troublemaker
Joined: 24 Nov 2003 Posts: 715 Location: So Cal
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Posted: Sun May 15, 2005 5:07 am Post subject: |
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The trailer I saw this evening of Cinderella Man certainly had a Pacemaker right in your face, but if I am not mistaken, it was a bit too new..., but lotsa bulbs poppin in that one, kinda EXAGERATED as ussual.
Stephen |
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Press25
Joined: 28 May 2003 Posts: 15 Location: Minneapolis,MN
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Posted: Mon May 16, 2005 9:44 pm Post subject: |
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On 2004-07-23 20:44, tsgrimm wrote:
Tommy Lee Jones photographing Sissy Spacek in "Coal Miner's Daughter" with a Super Graphic.
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Yes, but did you notice he forgot to pull the darkslide when he was holding the pot cover as a reflector? |
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tsgrimm
Joined: 04 Apr 2004 Posts: 158 Location: SE Michigan
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Posted: Wed May 18, 2005 1:26 am Post subject: |
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On 2005-05-16 14:44, Press25 wrote:
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On 2004-07-23 20:44, tsgrimm wrote:
Tommy Lee Jones photographing Sissy Spacek in "Coal Miner's Daughter" with a Super Graphic.
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Yes, but did you notice he forgot to pull the darkslide when he was holding the pot cover as a reflector?
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The next time the movie is on the tube I'll pay more attention. |
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MikeS
Joined: 25 Nov 2003 Posts: 71 Location: East Tennessee
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Posted: Thu May 19, 2005 9:28 am Post subject: |
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If he forgot to pull the darkslide, that doesn't mean it's Hollywood fakery, just that he learned how to use the camera from somebody like me!
-Mike
_________________ -Mike |
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45PSS
Joined: 28 Sep 2001 Posts: 4081 Location: Mid Peninsula, Ca.
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Posted: Fri May 20, 2005 2:42 am Post subject: |
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Lots of gallery quality images on darkslides.
_________________ The best camera ever made is the one that YOU enjoy using and produces the image quality that satifies YOU. |
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SoCal Dave
Joined: 05 Sep 2004 Posts: 4 Location: Orange County, CA
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Posted: Sun Sep 04, 2005 5:09 am Post subject: |
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On 2002-07-17 06:53, jpmose wrote:
In the movie "Road to Perdition" a Pre Anniversary Speed Graphic was used by one of the stars (Jude Law). This is a great movie, set in 1931. The shots of the camera are close up! So....go enjoy this great movie and see a Speed Graphic at the same time! Enjoy.
J P. Mose
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One other reason "Road to Perdition" is noteworthy is how the Speed Graphic goes beyond its usual role of being a point 'n shoot press camera. Jude Law is shown setting up a tripod, looking through the ground glass, and actually behaving like a photographer for a brief moment .
[ This Message was edited by: SoCal Dave on 2005-09-03 22:12 ] |
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troublemaker
Joined: 24 Nov 2003 Posts: 715 Location: So Cal
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Posted: Sun Oct 30, 2005 5:05 am Post subject: |
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Ok fine and dandy, but can you imagine the surprise when I was mindlessly watching the Simpsons cartoon Haloween special and one of the short stories had press cameras snapping away...just like in the movies?
Stephen |
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Top
Joined: 06 Apr 2002 Posts: 198 Location: Northern New England USA
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Posted: Tue Jan 03, 2006 12:41 pm Post subject: |
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Just saw the new 'King Kong yesterday and all the press guys had pre-Annys (although some of them had Graflex flashguns). Nice to see Jackson doing his homework.
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Jack5541
Joined: 31 Jul 2003 Posts: 76
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Posted: Tue Jan 03, 2006 10:52 pm Post subject: |
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On 2005-05-14 22:07, troublemaker wrote:
The trailer I saw this evening of Cinderella Man certainly had a Pacemaker right in your face, but if I am not mistaken, it was a bit too new..., but lotsa bulbs poppin in that one, kinda EXAGERATED as ussual.
Stephen
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Just saw (finally!!!) "Cinderella Man" on DVD...definitely an abundance of Graphics and flashbulbs blazing away, at ringside and in the aisles! Only problem was that almost every camera I could see (without taking the time to pause and zoom) was a Pacemaker with a Graflite attached; major bloopers for a movie set in the early 1930's. |
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David A. Goldfarb
Joined: 03 Sep 2004 Posts: 142 Location: New York City
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Posted: Thu Jan 05, 2006 6:14 am Post subject: |
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Graphics make frequent appearances in _Capote_. They do remember to change the flashbulb after the shot, though I didn't notice any filmholders being flipped or changed.
And on the stage of the Metropolitan Opera, at the end of Tobias Picker's new work, _An American Tragedy_, based on the novel by Theodore Dreiser and on the real events that inspired the novel, a photographer comes on stage with what looks to be a wooden 8x10" field camera and a flash pan with powder (the action of the play takes place around 1905), and gets a shot of the main character in the courtroom after he is sentenced to death for murder. I guess in the opera everything has to be a little bit larger than life. |
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journ2arch
Joined: 06 Jan 2006 Posts: 7 Location: Roanoke VA
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Posted: Fri Jan 06, 2006 4:21 pm Post subject: |
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Like some of you, I was mostly pleased by the cameras used in "King Kong."
In "Cinderella Man," many of the cameras were post-1947 Pacemakers, but at least in one scene that takes place in 1928, they ARE using flash powder. I did appreciate that.
My nomination for the Speed Graphic Ananchronism Hall of Shame (as well as being a terrible movie despite having Angelica Huston and Hillary Swank), is a made-for-HBO film about the women's sufferage movement called "Iron-Jawed Angels." (Hey, my wife had it on!)
Though the story takes place during World War I, some of the press photographers hounding our suffragette heroines are using Pacemakers! Tsk. Tsk. |
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JMP
Joined: 09 Oct 2006 Posts: 13 Location: London England
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Posted: Mon May 21, 2007 12:46 pm Post subject: |
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Fairly new to the site and found this thread whilst browsing around.
Recently watched "The Notorious Bettie Page" and lots of Speed Graphics in there. Also (off topic) a few Stereo Realist 35mm 3D cameras used in a scene where she is at a camera club and one guy is holding it in portrait mode (which wouldn't work as to get stereo effect the pics have to be side by side, like your eyes). If course, this might be deliberate to illustrate that guys might joinn a camera club knowing next to nothing about photography.
Also, the TV series Homicide: Life On The Streets has a character in it who is a photographer working with the police department. He is a total Weegee nut (and namechecks him several times) and, even though the series is set in the "present day" (ran from 1993 to 1999) he dresses in 1940's gear and, of course uses a Speed Graphic. He even lives in a storeroom at police HQ for a while!!! Great series, even without the Weegee references. |
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essessem
Joined: 19 Feb 2003 Posts: 48 Location: California
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Posted: Tue Jun 19, 2007 6:52 pm Post subject: |
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Geez, don't get me started about "The Notorious Bettie Page." If it weren't for the lovely Gretchen Mol and overall good-naturedness of Mary Herron's direction, the inaccurately-portrayed camera wielding would have completely ruined the film for me. (By the way, I detest poorly-typeset film credits as well--not an issue here.) So I doubt if the director was trying to portray amateur nudie photographers as not really knowing their camera. You rarely, if ever, see anyone winding a film knob, as if they all had high-speed motor drives. I recollect that the studio scenes showed Paula Klaw (Lili Taylor) just shooting away with a Crown, film holders be damned. When will Hollywood finally become sensitive to antique camera geeks?
http://www.imdb.com/gallery/ss/0404802/Ss/0404802/2287.jpg.html?path=gallery&path_key=0404802 _________________ Speak softly and carry a big camera. |
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rmbroome
Joined: 10 May 2007 Posts: 11 Location: Memphis TN.
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Posted: Tue Jun 19, 2007 11:37 pm Post subject: Graflex in movies |
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Do not forget the newest HollyWood Land and The Black Dahlia. A lot of them. |
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ASpeedGraphic
Joined: 10 May 2006 Posts: 24 Location: Los Angeles, CA
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Posted: Sat Jul 07, 2007 5:09 pm Post subject: ... |
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Why, however, do the cameras always make so much noise in the movies? These things are practically silent in reality, but they always have the sound effects from flash powder.
Keith
Last edited by ASpeedGraphic on Sat Jul 07, 2007 5:10 pm; edited 1 time in total |
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